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| Holiday Lights | |
Holiday lights make for fantastic photos and are as much a part of the holidays as the holidays themselves. Just like a gentle snow changes the landscape, so do the holiday lights that light the night. |
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| by Howard Lipin | |
| My Toolbox was: | |
| Lens | Tamron AF28-300mm F/3.5-6.3 XR Di Macro |
| Camra: | Canon EOS-1D Mark II Digital |
| Off Camera Trigger: | Canon Remote Switch RS-80N3 |
| Digital Media: | Delkin 512MB eFilm Pro Compact Memory Flash Cards |
| Tripod: | Bogen Model 3033 |
| Add to this one 13-year-old son for safety, spotting cars when dad was in the street. | |
It doesn't snow in San Diego, where these photos were taken, so the holiday lights that dot the landscape, from the day after Thanksgiving until a few days after New Year's, are a welcome change. Some streets even change their official names to names like Candy Cane Lane, Christmas Card Lane and more. |
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Shooting photos of lights that brighten the night is like being a kid in a candy store and not knowing where to start. Before starting, having the right tools is important. First and foremost, having a Single Lens Reflex (SLR) camera for film, or Digital Single Reflex Camera (dSLR) for digital, a tripod and a cable release or remote triggering switch are essential elements to making consistent great photos. For the lens, having a zoom comes in very handy. It offers the opportunity to get the close-ups and overall shots easily. Also, with a zoom and very slow shutter speeds you can create light streaks for a different look and feel to the photos. When shooting digital it's easy to see how you're doing and to make the necessary adjustments. If using a film camera, bracket the exposures to insure success. Use the camera's light meter (the meter can be easily fooled under these conditions) as a starting point then bracket by exposing over and under what the meter tells you. |
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The photos were shot on manual exposure using either auto white balance or the incandescent setting at ISO's ranging from 400 to 1000 with shutter speeds anywhere from 1/2-second to 5- seconds depending on the lighting, f-stop and desired effect. |
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If you don't have a cable release or remote trigger, which is used to help eliminate vibration, consider using the self-timer in the camera if it has one. To do this, compose the photo, trip the shutter and then don't touch the camera until after the camera fires, usually 10-12 seconds, which is the default on most cameras. Some cameras also allow you to change the length of the timer, however, I've found that the 10-12 seconds gives the camera time to settle down from the vibration without wind blowing. If it's windy, consider blocking the side of the camera from the direction of the wind. |
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If your camera has a mirror lock-up feature, it's an added way to reduce vibration by locking-up the mirror during the exposure, as the mirror can cause vibration when it flips up and the shutter fires. Some cameras don't have a mirror lock-up, so check the instruction manual. All photos here were shot without the mirror locked-up. |
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My son Alex and I drove around our neighborhood and others nearby over several evenings, shooting. When we'd find a place he or I liked, we'd setup the tripod on the sidewalk or in the street. If it was in the street Alex would watch for cars so I could get out of the way before they got too close. |
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Ok, now it's time to shoot photos. |
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Happy Holidays
without zooming during the exposure was shot using ISO 800, 154mm and
f-25 on the lens for a 4-second exposure. Once I liked the photo, I
shot it again starting at the same focal length and composition but
with a twist. About two seconds into the four-second exposure, being
careful not to bump the camera, I zoomed the lens out a little bit
fast enough to have time left before the exposure was over. Because
this is done totally on a guess, it might take several tries to get
it the way you like it. It took me 6 frames to get the one I liked
best. The photo started at 154mm and ended up at 130mm so the zoom
really wasn't that much. If you do it too much the result will be light
streaks with no definition. By waiting two seconds into the exposure
before zooming made it possible to have the Happy Holidays appear twice
in the photo. The first one in the foreground is from the first two-seconds,
and the one in the background appeared at the end of the exposure.
It's important to zoom with enough time left after the zoom is complete
so the second Happy Holiday's will appear. |
The light streak idea was also used on the photo of the front yard with the American flag. This was exposed using ISO 400 starting at 59mm and zooming all the way out to 28mm during the three-second exposure. The zoom was done at almost the end of the exposure to keep the background as sharp and with as much detail as possible. |
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Lights wrapped around a mailbox
with the glow of lights in the background is a simple fun photo. The
ISO was 400 at 154mm on the focal length at f-9.0 for a 1/2-second
exposure. The close-up of just the lights was also shot at the same
ISO and f-stop but at 300mm on the lens focal length. The camera was
repositioned closer to the lights to use the macro capabilities of
the XR Di zoom. |
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Including people in the photos
can be fun and an interesting challenge all at the same time. As the
number of people increases so does the chance of ghosting, or if they
move too much they might disappear, so timing the photo so they're
not moving is important. This exposure was at f-13 for 5 seconds using
ISO 400 with the lens set at 46mm for the photo of the two ladies in
front of the house. The photo of the group of people was luck. A house
filled with lights in the trees and everywhere else made for good lighting.
It was luck that the group stopped and for the most part stayed in
the same place long enough to make several frames. The exposure was
two-seconds at f-9 using ISO 400 and the lens was zoomed out to 28mm. |
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The overall view of the house where the group of visitors was strolling by shows how many lights there are and makes for a nice locator photo too. The lens was set at f-20 and a focal length of 28mm for a four-second exposure using ISO 400. |
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With all the lights dancing around reflections, in car windows can make for exciting photos too. The reflection is an overall of the home with the lights in the trees. The lens was set at 46mm at f-4.5 and the ISO was 400 with three-second exposure. |
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Shooting vertical photos
with lenses without a tripod collar can be a challenge because most
zooms tend to be heavy, and move down under their own weight after
framing. However, the 28-300mm XR Di is less than one pound and didn't
move when I shot the photo of St. Nick. The ISO was 400, at f-8 using
135mm on the lens for a 1/2-second exposure. |
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Not all of the best photos are outside; many show up in windows. Shooting Through windows is almost the same as shooting outside. The only thing to watch out for is the possible reflections in the glass that usually come from outside sources. It's easy to get rid of them. Just move to the left or right a little bit until they're gone. The Christmas tree in the window was shot using 100mm on the lens length at f-5.6 for a three-second exposure with ISO 400 on the camera. |
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And don't forget to shoot a few photos in the last few minutes of the day when the light in the sky has a nice glow and use it as the backdrop for the lights of the neighborhood. This photo was shot using 28mm on the lens focal length and f-5.6 for the f-stop. The ISO was 1000 and the exposure was for one-second. |
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Now it's your turn to go out and enjoy shooting your special
holiday photos in the great candy store of lights. |
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Howard
Lipin is a Staff Photojournalist at The San Diego Union-Tribune, the
19 th largest newspaper in the United States, and the Co-Host of Photo
Talk Radio, the Internet radio talk show devoted to the photographic
community, "Where You Really Can See Photos On The Radio." Whether
you're just starting out in photography or an old pro, you're invited
to join Howard and Co-Host Michael A. Garcia every Saturday 8-9am US
Pacific Time, at www.PhotoTalkRadio.com and
call with your questions and ideas. All shows are available in the past
show archive for 24/7 enjoyment and are Podcast as well. You can always
get the answers to your "How Do I Do That" of photography questions
answered by emailing Howard and Michael at talkback@phototalkradio.com.
To access the San Diego-Union Tribune online edition visit www.UnionTrib.com. |
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