
| Sydney the Kid by André Costantini |
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After several weeks of nonstop rain, we had nice weather the day Sydney and I met up for our photo shoot. We started the day by taking the little red wagon down to the beach. She played with some shells for several hours and we returned back to Sydney's house for dinner. Though Syd can't really cook yet fortunately her dad can and with moms help driving the wagon and taking care of wardrobe, it made for a fun and relaxing day of taking photographs. |
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Children can be temperamental and cranky or they can be delightful and cooperative. Over several hours you have the potential to experience all of this and more. Because you never really know when you'll get what, I like to set aside a nice chunk of time when photographing children. |
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Kids run through a gamete of expressions
over very little time, therefore I recommend taking a lot of pictures
in many different situations. Trying to get a two year old to do
something twice is often a challenge. In fact trying to get a two
year old to do something once can equally be a challenge. I just
let kids be themselves. I never wait for the "right" moment to take a photograph. There are so many "right" moments
that your best bet is to try to capture as many as possible. |
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When shooting children, I often experiment with the cameras perspective. Rather then always looking down on them, photographing kids at their level or even looking up to them often gives children much more presence and makes for engaging imagery. |
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All of theses images, taken two
years ago, were photographed digitally using the Fuji S-1 SLR and
the Tamron SP AF28-105 f2.8. Tamron has 2 newer fast aperture lenses
available in the SP AF28-75mm F/2.8 XR Di and the SP AF90mm F/2.8
Di 1:1 Macro. The effective focal length of the 28-105 lens on this
digital camera in 35mm terms is 42-158mm. Having this slightly longer
perspective works quite well for portraits. I almost always set my
camera to aperture priority. This allows the best control for the
depth of field and in lower light situations, shutter speed control.
For the portraits during the day I set my aperture around f8 and
the effective ASA to 320 (which is the slowest on this particular
camera). This blurred the background slightly while allowing enough
depth of field to keep the subject in focus. Additionally, the shutter
speed was up to at least 500th of a second, which is quick enough
to freeze most quick movement. By dinnertime there was limited light
on the back porch where over some barbecued swordfish and crayons,
I took some more images of Sydney. I set the effective ASA at 800
and had the advantage of using a fast f2.8 lens wide open. That got
my shutter speed up to between 60th and 180th of a second, which
luckily was fast enough to stop most kid actions, especially after
a day at the beach. At f2.8 especially with longer focal length lenses,
focusing becomes critical because of the narrow depth of field that
this combination permits. During the course of an hour I shot about
60 images. The collage was created in Photoshop where the images
were also converted to black and white (and I retouched out the "binky" marks
from her face). |
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